If I could remember my art history, I could cite for you a number of painters that employed this drastic juxtaposition of a small human within the context of a very large landscape. Caspar David Friedrich comes to mind with some of his landscapes, though certainly there are others to whom this style would more readily be attributed.
It reminds me a lot of a shot I took earlier in the year:
Sunday, May 24, 2009
Man in Nature
Wednesday, May 20, 2009
Idol
This is a neat composition between cousins. The more I look at it, the more I like it. I like how minimal it is, with the most detail relegated to the corners. I like Kate's blurry hand, and how their lips pop out against the stark colors. I just think the expressions are priceless, as is the unspoken (but highly visible) admiration Kate has for her cousin James.
Wednesday, May 13, 2009
Dapper
The lighting is exquisite, huh? It's that warm grey color that settles after a good rain as dusk approaches. Christopher was swinging the umbrella around and stopped for me, for a split second before careening down a dewy hill. The white pants miraculously came out unscathed and unsoiled.
I love how his face is framed in the focus of the umbrella, and the background deep greens. The angle of the shadows is subtle on the pavement, but absolutely encourages your eye back to his face.
Sisters
This is probably one of my favorite shots from the year so far. I love the composition, the color, the expressions, and that fabulous flower girl dress - of course! It has a story all its own, but for now, I just want you to bask in the loveliness of two sisters.